Of all the great canoe tripping memories I’ve had over the years, some of the best evoke the magic of the night sky and the warmth and comfort of the evening fire. Capturing the spirit of a wilderness trip through the lens can be a challenge at the best of times, but photographing low-light and nighttime scenes demands some expertise and a lot of patience.

Beyond the essential equipment for effective low-light photography, which includes a digital SLR camera, tripod and fast aperture lens (less than f2.8 is ideal), there are some basic concepts to remember when out on your next trip.

The first is that the longer your exposure, which is also known as your shutter speed, the brighter your photo will be because more light is let in.

While you can photograph a campfire after dark, some of the most effective campfire shots are taken during twilight, when landscape detail or silhouettes put the campfire in context. Also, the darker it gets, the smaller your fire needs to be if you hope to balance it with the ambient light. A glowing bed of coals and a few flickering twigs will appear as a crackling campfire after a 10- or 20-second exposure.

On clear, moonless nights, capturing the stars can make for great images. To include foreground elements you’ll first have to expose for the sky, being sure to keep your exposure to 30 seconds or less to avoid blurring the stars due to the Earth’s rotation. Foreground lighting can take the form of a headlamp, off-camera flash or simply the glow from a nearby campfire.

A bright, moonlit night is a great time to make unique images. Moonlight provides backlighting to clouds, shimmers off water and provides an all-round spooky array of shapes and silhouettes. Including the moon as part of a longer exposure will result in a soft, circular glow.

If you’re lucky enough to experience the northern lights, photographing the display makes for an exciting and memorable tripping experience. If the aurora display has definition, keep your shutter speed to 15 seconds or less to avoid washing out the bands of light. Don’t forget to include some foreground to help with framing the image.

View seasoned wilderness traveler and photographer Mike Monaghan’s work at mikemonaghan.ca.

This article was originally published in the Spring 2014 issue of Canoeroots This article first appeared in the Spring 2014 issue of Canoeroots Magazine.

 

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